Select a template item on the left, and you can choose to Rename or Remove the selected item. Both Session templates and Track templates can be shared in the Template manager window: The Template window ( Window->Templates ) allows you to view, manage, and share your “template” files. Contact or visit the Mixbus forum for more details.įor more details about the Lua scripting language used in Mixbus, please see Scripting Template Manager Creating scripted templates is beyond the scope of this manual. The Mixbus package includes examples of scripts that operate as Session and Tracks. It is possible to create “scripts” which can automate certain tasks, and can act on further input from the user. Learn more about Track Templates here: Track Templates. To create a track template, right-click on the mixer strip and choose “Save as template” This will restore the settings of the templated track. When creating a new track in the “New Track Dialog”, you may choose to select a template. Track TemplatesĪ “track template” is a file that stores the settings for a track. Learn more about Session Templates here: Session Templates. To create a session template, select “Save as template” from the main Session menu. This will restore the settings of the templated session including track layout, track names, plugins, mixer settings, and preferences. When creating a new session in the “New Session Dialog”, you may choose to select a template. Mixbus allows you to create “Session Templates” and “Track templates” to partially automate your workflow: Session TemplatesĪ “session template” is a file that stores all the settings for a session, except for the actual audio, midi, and automation region data. Appendix C: Videos (Training and Tutorial).AVL Drumkits: Black Pearl and Red Zeppelin.Presonus Faderport, Faderport8 and Faderport16.Mackie MCU-compatible fader controllers.Scrolling and Zooming in the Editor Window.Operational Differences from Other DAWs.Differences between Mixbus and Mixbus 32C.About This Manual (online version and PDF download).Last but not least, the internal engine is dithered and ramped, in order to try and maintain the closest possible feel to that of the analog sound. The original parametric, four-band sweepable equalizer of the 32C is maintained, coupled with separately switchable filter sections, complete with low and high-pass filters, as well as dedicated modeling for resistors, capacitors, and transistors from the original configuration. Modern audio processing requires the utmost in terms of consoles for digital sound production and although the analog era has passed, its legacy in terms of the footprint it embeds on the audio content is still craved and required.īuilding on the established reputation of Harrison consoles, Mixbus32C aims at offering a digital emulator of the famous 32C mixer, fully-featured with the knob-per-function layout that made the aforementioned console so famous.Īside from offering a traditional controls layout, for the enhanced instrument “feel”, the console also addresses the analog signal characteristics, by offering a dedicated, “True Analog” function for mixing. However, there are so many fields where the expression validates through example, and one such domain is the professional sound production. Having the right tool for the job seems cliché by even the most objective views these days.
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